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Strategy11 min

SMM DRUG editorial team · published · updated

How to build a marketing plan

A working template for planning a quarter of promotion: goals, target audience, channels, budget in tenge and the checkpoints that tell you the plan is working.

How to build a marketing plan

A marketing plan is not a thick investor report but a one-page map of decisions for the coming quarter: where the business is going, with what budget and how progress will be judged. Without that logic, spend is scattered across channels and the contribution of each decision is hard to explain. This article uses the practical template SMM DRUG applies with clients in Almaty, from the goal to the budget and checkpoints. Every amount, percentage and timeframe below is an illustrative starting model, not a market norm; working values follow an audit of the project's economics, capacity and data. Preparation time also depends on business complexity and the availability of inputs.

Step 1. A goal and a metric, not 'we want more clients'

For a first cycle, it is useful to choose one main goal. Wording such as 'grow social media' or 'raise awareness' is hard to budget and verify, so phrase the goal so progress can be judged clearly at the chosen checkpoint.

Use 'metric + number + deadline'. Illustrative formulations are 'get 60 Instagram enquiries at no more than KZT 3,500 by September 30' or 'grow from 4,000 to 6,500 followers with at least 70% from Almaty'. These are not forecasts for your project; numbers follow an assessment of the baseline and economics. Break the goal into intermediate measures that the team can actually influence.

'One quarter — one main goal' is a useful starting constraint for focus, but a business may pursue several goals in separate funnels and channels. Give each its own budget, owner and metric, then connect it to economics: enquiry cost, average deal size and conversion to payment.

  • Teaching example: '60 enquiries at ≤KZT 3,500 by 30.09'; the actual volume, price and deadline are calculated for the project
  • Intermediate metrics: reach, taps into direct/to the site, CR to inquiry
  • Unit economics: CAC = acquisition spend ÷ number of new paying customers
  • A 20–30% LTV limit can be used in a draft scenario; calculate acceptable CAC from margin, cash flow and payback period

Step 2. The audience and an offer tailored to it

Before choosing channels, describe who you're selling to. Not 'women 25–45', but several concrete segments with their pain, barrier and purchase trigger. For a café in central Almaty these could be office workers from the nearby business centers (a quick breakfast before 9:00) and KIMEP students (a study spot with outlets and Wi-Fi) — they come for different reasons and respond to different messages.

For each segment, formulate an offer — what exactly you promise and why to believe it. The offer 'tasty coffee' doesn't work, because everyone says that. 'Second cup before 9 a.m. — half price' or 'book a table with an outlet for exam season' does. It's offers, not 'beautiful content', that determine the cost per inquiry in paid ads.

This is also where you lock in geography and language. In Almaty, part of the audience responds more warmly to ads in Kazakh, part — in Russian; for the premium segment, English is sometimes added. The language decision affects creatives and the budget split, so it's better made at the planning stage than mid-launch.

Step 3. Channels and the content mix

Channels are chosen to fit the goal and audience, not the other way around. For fast inquiries in Almaty, targeted ads on Instagram/Facebook and 2GIS usually work; for deferred demand — expert content and search; for local traffic — geolocation formats and working with reviews. You don't need to be everywhere: two or three channels you can genuinely feed with content beat seven abandoned accounts.

Split channels into paid (targeted ads, search ads and creator placements) and organic (feed content, Reels, newsletters and reviews). Paid channels let you manage delivery volume but do not guarantee enquiries; organic effects accumulate at a pace that depends on the platform, content and audience. The two can be combined, while their contribution and payback timing are measured through attribution and project data.

Lay out the content mix week by week. A first draft can use 60% useful and engaging content, 30% product and proof, and 10% direct offers. This is an illustrative model for spotting imbalance, not a norm; adjust it to the channel's role, sales cycle and audience response. Prepare several ad creatives per hypothesis so variants can be compared instead of judging one ad.

  • Inquiries now: targeted ads on Instagram/Facebook, 2GIS, seeding with local bloggers
  • Long-term demand: Reels and expert posts, search/contextual ads, newsletters
  • Trust: reviews, cases, customer UGC, answers to objections
  • Starting content-mix example: 60% value/engagement, 30% product, 10% selling; then adjust from data

Step 4. Budget in tenge: on what and how much

Calculate the budget from the goal, not from 'what we can spare'. Illustrative arithmetic: if the goal is 60 enquiries per month and the scenario assumes KZT 3,000–4,000 per enquiry, quarterly ad spend is KZT 540,000–720,000. These values are not a market forecast. For a real plan, estimate enquiry cost and test volume from your economics, history and a sufficient sample.

Include production, specialist or agency work, analytics and automation in addition to ad spend. A draft can allocate 60% to ads, 25% to production and content, and 15% to management and analytics. This is a structural example, not a small-business norm; the shares change with existing assets and funnel complexity.

Break the budget down by month and channel. A teaching scenario may use an initial test phase followed by scaling of confirmed combinations. A 10–15% reserve is also only a starting-model example; the actual reserve follows cash flow, platform limits and rules for scaling without degrading results.

  • Teaching calculation: 60 enquiries × KZT 4,000 = KZT 240,000/month; the project's funnel determines actual values
  • Starting-structure example: ~60% ads, ~25% production, ~15% management and analytics
  • Reserve example: 10–15%; the actual share depends on cash flow and scaling rules
  • Phase example: test first, then scale combinations after sufficient data

Step 5. Checkpoints and the plan table

A plan without checkpoints is only a wish. Define a rhythm of short operational checks, deeper reviews and a final period assessment. Weekly, monthly and quarterly reviews are one sample calendar; actual frequency depends on spend, event velocity and sales-cycle length. Calculate a pause 'red line' from acceptable CAC and a minimally sufficient sample.

An illustrative rule might read: 'after the agreed data volume, change the creative if enquiry cost is above KZT 5,000; if it remains above KZT 6,000 after the next cycle, review the channel'. The numbers and timing are teaching inputs. The value lies in tying a decision to economics and evidence before launch rather than reacting emotionally to one day.

Put the whole plan on a single page — that's your working document. Columns: goal and metric → audience segment → channel → offer and creatives → budget by month → owner → checkpoint and red line. When everything is on one sheet, the gaps show: a channel with no offer, a goal with no budget, a budget with no owner. We prepare a table like this for clients before launching targeted advertising, so every tenge works toward a specific number, not toward 'a presence on social media'.

  • Short-review example: enquiry cost, ad spend and campaign health; frequency follows data volume
  • Deep-review example: scaling, pausing and budget reallocation
  • End of the chosen period: progress toward the goal and decisions for the next cycle
  • Red lines calculated in advance from economics and sufficient data
IN BRIEF
  • Choose a main goal for the first cycle in 'metric + number + deadline' form; split additional goals by funnel, budget and ownership.
  • Audience and offer first, channels second: the cost per inquiry is set by the offer, not by 'beautiful content'.
  • Calculate the budget from the goal; 60/25/15 and a 10–15% reserve are only starting examples to recalculate for project capacity and economics.
  • Checkpoints and red lines written in advance protect you from panic and from draining the budget into a dead channel.
  • The whole plan should fit on one page: goal → segment → channel → offer → budget → owner → checkpoint.

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